Okay, so you automatically know you’re in trouble when you’re watching a sequel and crystal skulls are a main plot point. Remember House 2: The Second Story? Well my friends, this long awaited entry into George Lucas and Steven Spielberg’s Indiana Jones franchise makes House 2 look like Raiders of the Lost Ark. In fact, this is probably the worst piece of shit Spielberg ever made.
That’s right folks; we’re talking worst than Hook, here.
Remember at the end of Raiders when they opened up the
Honestly, if I had a choice whether to watch this flick again or look at the contents of the
The plot? Indiana Jones (Harrison Ford) finds out he’s got a kid (Shia LaBeouf) while being coerced by a bunch of psychic Russian agents (led by Cate Blanchett) into finding a crystal skull that was left on Earth by aliens from another dimension.
That’s right, you heard me: Psychic Russians and aliens. Yes, ALIENS for God’s sakes.
Okay, I could buy a golden box that melted people’s faces off in Raiders of the Lost Ark. I can understand a cult that can rip a person’s heart out with their bare hands in
What I refuse to believe is that a bunch of aliens with a skull that looks like an expensive incense holder would travel to Earth just to lose their heads (literally) so a bunch of psychic (yes, psychic) Russkies could find them because they want “to know”.
Haven’t Lucas and Spielberg made enough alien movies already? Did they really need to shoehorn extraterrestrials into this thing? I think not.
All of these stupid shenanigans might have been tolerable if the rest of the film was any good, but unfortunately, it plays like a limp parody of the previous films instead of an honest to goodness continuation. (Remember those atrocious Alan Quartermain flicks with Richard Chamberlain from the 80’s? This one is just as bad.) The script is a straight-up joke and all the action sequences suffer from sloppy staging, slipshod editing and some of the worst CGI effects you’ve ever seen in your entire life.
The part I thought I’d hate most was actually the only thing I enjoyed about the film and that was Shia LaBeouf as Indy’s son. He holds his own against in his scenes with Ford, but even he seems to be going through the motions this fourth time around. And why they brought Karen Allen back from the first movie, especially when her role requires her to do little more than just say, “Oh by the way, he’s your son” is beyond me. And having Blanchett play the sword slinging villainess as if she was Natasha from The Rocky and Bullwinkle Show is perplexing to say the least.
You know, people always hate on the Star Wars prequels (which I happen to like, so back off), but this shit is indefensible.
Here’s the most telling thing about the movie. There’s an incredibly ludicrous scene in which Shia swings from a vine a la Tarzan with the help of a bunch of friendly monkeys. This scene is beyond retarded and documents the fundamental weakness in Spielberg’s filmmaking: He just has no balls anymore.
In Raiders, monkeys got poisoned and killed. In
Further proof that Spielberg has become a cinematic eunuch is the inexcusable lack of gore. Raiders of the Lost Ark had the most fucked up thing I’ve ever seen when the dude’s face melted off after looking at the
I thought Spielberg lost his mind in The Lost World when that little girl Gymkata’ed the raptor to death, but this shit takes the cake.
Indiana Jones and the Kingdom of the Crystal Crapfest is so bad that it’ll make you yearn for Indiana Jones and the Mystery of the Blues.
OVERHEARD AT THE LUCASFILM RANCH:
George: Hey Steve, it's time to make another Indy movie.
Steve: Okay sure, but why did we have to wait 19 years to make another Indy movie?
George: Well, the Lego market is finally ripe for the picking, and I'm slowly running out of properties to sell to them. If this doesn't go over well, it's Howard the Duck Legos and nobody wants that.
Steve: Well what are we going to make Indy 4 about?
George: Psychic Russkies,
Steve: Gee George don't you think we've done aliens to death, I mean I did Close Encounters, ET, AI, War of the Worlds and you did 6 Star Wars movies, don't you think people will balk at us using aliens AGAIN?
George: Jesus, Steve, what do you want from me, all I can do is 50's nostalgia and aliens. Besides, I got to sell some Legos somehow.
Steve: Point taken, so fine we'll go with aliens. What about those crystal skulls? Isn't it a bad idea to use crystal skulls in a sequel?
George: Dammit, Steve it worked in House 2: The Second Story didn't it?
Steve: Right you are sir. What about the villain?
George: Well we can get somebody who won an Oscar if you really want, but I'd rather have Natasha from The Rocky and Bullwinkle Show.
Steve: No problem Beardy, we'll get Cate Blanchett and have her ACT like Natasha from The Rocky and Bullwinkle Show.
George: Good thinking Steve, remind me to give you 5% of all the Lego sales.
Steve: Thanks George. Oh by the way, I've been DYING to do some of the stupidest action scenes since I made that little black girl Gymkata that raptor in the Lost World, what do you think I should do?
George: How about have Shia being taught by monkeys to swing on a vine like Tarzan?
Steve: George, you're a genius can I suck your cock some more?
George: Sure Steve. (Silence) Okay Steve thanks I needed that, but next time you do that make sure you wear the Leia bikini.
Steve: Yes, Your Flannelness. Now about the effects.
Steve: I know your ILM company has billions of dollars at it's disposal...
George: It's tied up in Lego money, but I got some guys that do those Sci-Fi Channel originals on the fire ant scene, so it's all good.
Steve: But George...
George: Sorry Steve, you're on your own. I got to take this meeting with the Mr. Potato Head people about making a Shia Tater Tot toy...
MORE OVERHEARD AT THE LUCASFILM RANCH…
Steve: George, I wanted to talk to you about the look of the film.
George: Sure Steve.
Steve: I was thinking maybe a lot of deep reds like
George: No, we're not doing any of that Steve. Every frame of this movie must be over-lit like a Sealy Posture Pedic commercial.
Steve: I see...
George: You know those infomercials where Chuck Norris and Christy Brinkley are on the rowing machine?
Steve: Yeah I love those.
George: I want the entire movie to look like that.
Steve: Sure, George. Now how about the action, I've been telling the press how we're making a return to realistic stuntwork like Old Time Hollywood and...
(George falls out of his Huttese throne laughing)
Steve: What's wrong George?
George: Jesus Steve haven't you learned anything from Attack of the Clones? It's all going to be CGI.
Steve: Good call. Now when we get Karen back I'm thinking...
George: I'm paying her per word of dialogue so make sure she says less than fifty words in the whole movie, not including "He's your son."
Steve: Okay. I can see it now, it'll be just like Luke finding out Vader was his father.
George: No actually it'll seem more like Happy Days Meets Tales from the Gold Monkey, but you are right Steve that whole father/son thing is the only plot thing I've ever had up my sleeve. Unless of course there's racing involved. There IS racing involved, right?
Steve: Right at the very beginning. But's it's totally pointless. A bunch of kids drive a jalopy and race the Russkies. It serves no purpose whatsoever. I'm thinking of axing it.
George: Don't make me take away your Lego money Steve.
George: Well, gotta go now Steve, but let me leave you with this little nugget of advice... CGI groundhogs... HUH...HUH, am I a genius or what? TTFN...