<Folks, I’m back with another movie in the Horror Franchise Marathon. Not only will this review be the first of many Friday the 13th movies I’ll be reviewing over the next few days, it also marks the return of the popular ongoing series:>
THE GREATEST MOVIES IN THE HISTORY OF THE HUMAN RACE
Watching the original Friday the 13th after over 25 years, 10 sequels, and a remake is still a special experience. It’s a brutally effective slasher movie; one that set the benchmark for all slashers to come. Like the seminal Halloween; Friday the 13th has a prologue where someone got killed years earlier that sets up the murderer’s motive. It also firmly establishes The Final Girl, the fact that it’s mandatory for The Final Girl to drop a murder weapon whenever she renders her attacker unconscious, the creepy music, the idea that fornication leads to death, the hungry young actor Before They Were Famous, and the customary POV shots of the killer.
What Friday adds to the mix is the setting. It took the terror out of small town
More than anything, Friday the 13th is a showcase for Tom Savani’s excellent gore effects. Savani was hired after the producers saw his great FX work in Dawn of the Dead. Unlike the effects in that movie, the gore here is more personal because it’s happening to a smaller group of people you actually care about and not to a bunch of zombies. Savani gives us multiple throat slashings, axes to the face, and arrows to the eyeball, and a decapitation that is truly one of the crowning achievements for FX in the slasher era.
Some of the film’s critics said that director Sean S. Cunningham favored the gore over the suspense but I don’t buy that. The original Friday the 13th is extremely suspenseful. The difference between this and many of the lame sequels is that Cunningham could actually direct the suspense scenes. Savani’s groundbreaking work does not outshine Cunningham’s suspense; it perfectly compliments it. Watch the film on broadcast TV after the network censors have cut out all the gore and it’s still effective. While my favorite Friday is still Part 3-D (this one is a close second), the original still packs one heck of a wallop and the climatic confrontation between The Final Girl Alice and Mrs. Vorhees is dynamite stuff. Not to mention The Last Scare; which is one of the best in horror history. This scene fucked me up so bad when I was a kid. No scene before or since has come close (well, maybe the end of Sleepaway Camp).
Speaking of historical landmarks, how about Harry Manfredini’s score? The Chi-Chi-Chi-Ha-Ha-Ha music ranks right up there with the DA-dum DA-dum score from Jaws. It’s part of pop culture now. Tell me you’ve never been walking with someone in the woods and made the Chi-Chi-Chi-Ha-Ha-Ha sound.
Cunningham’s real inspiration for Friday the 13th wasn’t Halloween though. At heart, the movie is a simple twist on Mario Bava’s Twitch of the Death Nerve with nearly a dozen apparently motiveless murders happening in an isolated area. The only difference is that the killer is getting revenge for the death of her son and not trying to get their hands on a piece of property. In fact, Twitch’s signature kill was blatantly ripped off in Friday the 13th Part 2; further proving that the Friday series would’ve been lacking something had it not been for Bava’s film.
As with Twitch of the Death Nerve, the killer’s identity is almost an afterthought. There are no typical whodunit scenes where red herrings are introduced. It’s just a killer killing people. While some clues are laid out (there’s a brief mention of a boy drowning); Cunningham doesn’t beat the audience over the head with it. The fact the murders are more or less random (until the end at least) makes it that much scarier to me. Later installments of the Friday saga are steeped in the mystique of the larger than life legend of Jason, so this one is refreshing because the counselors don’t know who is killing them or why until the very end.
Yep, Jason doesn’t kill people in the movie. His mother does. Some fans don’t like that Jason only makes a cameo in this one but I don’t care. I like Mrs. Vorhees a lot. What makes the original Friday the 13th different from its sequels is that Mrs. Vorhees is able to pull tricks on her victims that her son Jason couldn’t even dream of doing. Jason couldn’t pick up hitchhikers and scare the shit out of them before killing them. I dig that about her. And what about the creepy scene in which Mrs. Vorhees lures an unsuspecting chick into the archery range by yelling “Help me” in an eerie childlike voice? Bet you all forgot about that little ditty. That’s some freaky stuff. Then there’s the awesome finale where she’s chasing
While I’m we’re on the subject of strong willed women, I do have to get something off my chest. It has to do with all those feminists who condemned the slasher movies of the 80’s. Now I don’t want to get off on an anti-feminist rant here but it always pissed me off how those broads would get their bras in a bunch (the ones they didn’t burn, that is) and say that slasher movies were misogynistic. They’d always protest and say things like the filmmakers were all moralistic, depraved lunatics who got off on the suffering of women and systematically butchered them for smoking pot and having sex out of wedlock. I have nothing against feminists in general (especially the ones that actually LOOK like females), but their claims are thoroughly ridiculous. Look ladies, I don’t know if any of y’all have actually sat down and watched a horror film, but it’s not the directors of horror films who get off on the suffering of women and systematically butchered them for smoking pot and having sex out of wedlock; its the killers IN the horror films that get off on the suffering of women and systematically butchered them for smoking pot and having sex out of wedlock. I thought that was obvious.
It REALLY infuriated me whenever the feminists singled out the Friday the 13th movies as being the most misogynistic of the bunch. Actually, nothing can be further from the truth. Feminists, allow me to now set the record straight once and for all.
Friday the 13th can’t be misogynistic because there’s a goddamned WOMAN doing all the killing.
That’s right, before the potato sack, before the hockey mask, before match-up with Freddy Krueger, heck before there even WAS Jason, there was Mrs. Vorhees. You feminists didn’t know that did you? That’s because you never bothered watching the first Friday movie; you just condemned it on general principals.
And I hate to tell you this girls but Mrs. Vorhees was a card carrying FEMINIST! You can tell she’s a feminist not only by her close-cropped hairdo, ill-fitting sweaters and over-sized combat boots, but because of her convictions. The best feminists saw a problem with the way the world was and set out to change it. In the 60’s, they wrote folk songs, protested, and went on talk shows declaring their equality. In 1980, Mrs. Vorhees did all that with a vengeance. Except that instead of burning her bra and going on marches, and demanding equal rights, she stabs people through the throat, buries an axe into someone’s face, and shoots an arrow into their eye. Mrs. Vorhees showed that equality among the sexes wasn’t just a dream; she set out to prove that a woman could be just as fine a killer as any male slasher in the movies. As it turns out, she was right. She was one of the best.
Okay so she was ostensibly murdering people at
And if you can get buy that argument, I beg you to consider the fact that Jason wasn’t a misogynist either as he was merely carrying out the work of his dear departed mama. If you can believe that, then you have no reason to hate the sequels either. (Well except for Jason Takes Manhattan and Jason Goes to Hell; they suck.)
I’m telling you feminists, watch the ORIGINAL Friday the 13th again (not while you’re on your period of course) and see if I’m not right. Then get back to me. I’d love to hear from you.
Friday the 13th is a solid Number 10 on The Video Vacuum Top Ten for the Year 1980, ranking just below The Exterminator.
<Tomorrow’s Horror Franchise Movie: Friday the 13th Part 2>